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bayeux enterprise

(Conquering the landscapes with art strategies)

New experimental house,

Hortus Botanicus Vindobonensis,

Vienna 2025

0 OBJECT IMAGES,

EACH 63 X 59.5 CM = 48.80 METERS

PERMANENT MARKER, COLORED

PENCIL, AND PHOTOCOPIES ON PAPER

Garden Art

Landscape gardening

Laying out grounds

Place making

Landscape architecture

public natures

Landscape design

Nature restoration law

Open space direction

Open space direction

Farmers plow, citizens wander, rulers make huge statements of absolute power (Versailles), scholars observe on the smallest scale (Orto Botanico di Padova). Artists dig canals (André le Nôtre), build ruins (Racine de Monville), lay out flower beds (Gertrude Jekyll), seize land with sweeping gestures (Christo). Students at the University of Applied Arts at Viana leave the master class, examine problem areas, and take spatial samples in Vaux-le-Vicomte, Monza, Stourhead, and on the Hahnenkamm. They do practical work in the Rasumofsky and the Botanical Gardens, march through the night, climb, and fly with hang gliders. The experiences gained in the process shape projects such as those for Harrachpark and the Lenin Shipyard in Gdansk.

After decades of landscape design, a synopsis in factual images. The “Bayeux Tapestry” (created around 1070, 52 cm high, 68 m long) and the “Vienna Method” of visual language provide the grammar, under the stars of Otto Neurath, Lucius Burckhardt, Rudolf Burger, Le Corbusier, William Kent. Radical black lines weave a unique pictorial tapestry. Various signs call for action, for social action. They should be read as instructions for caring for the world—in awareness of “the magnitude, urgency, and beauty of the challenge” (Laudato Si')

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Weikendorf Archive: Photos by Heinz Kirchner, 2016.

A camera hovers above the dry grassland nature reserve. In the Art gallery Kunstraum Weikendorf, 5 km away, this natural wonder can be seen in real time on a large screen.

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Art Nouveau Vienna River Promenade. Actual situation, 2023.

“Theater of War”/Battlefield. The project is intended to contribute to a heightened awareness of nature in the city. It would be the preliminary stage for a competition for the restoration and contemporary restructuring of Vienna's "Stadtpark".

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Ark made of living trees, 2014, Austrian Sculpture Park Universalmuseum Joanneum, Graz

With proper care, the branches of ash trees grow together. After decades, the grown hull could be harvested and launched.

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Caspar David Friedrich, "The Failed Hope", also known as “The Sea of Ice,” 1823/24

Decades pass...

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St. Stephen's Cathedral, east view.

Vertical garden on the unfinished north tower of St. Stephen's Cathedral. A necessary symbol for Pope Francis' environmental message Laudato Si'.

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Klaus Bollinger, Florian Medicus, “Unbuildable Tatlin?!”, Springer Verlag Vienna, 2012. ISBN: 978-3-211-99201-2

The Francis Garden and the Tatlin Monument for the Third International (1920). Comparison of two supposedly unbuildable designs.

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The wall as a space-creating element and site for horticultural interventions. Vertical green space, 3.13 ha, wall length 1.9 km, wall height 8 meters.

- Cultural wasteland
- Legends in space
- Artistic analysis
- Core idea

See: “On Gardening,” London, 2001.

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Padua, “Prato della Valle”

- Cultural wasteland
- Legends in space
- Artistic analysis
- Core idea

See: “On Gardening,” London, 2001.

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My arsenal in Vienna in the 1970s.

Objects for landscape experiences. Photo documentation in galleries.

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Max Peintner, "A Totally Regulated Valley", 1972.

Reconstruction of a branch, 1974.

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Display case with remnants of the Great Feast.

Staging in the Salzburg studio, 1975.

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Proposal for the reorganization of Europe.

The gallery becomes a base camp for a departure into reality. The drawing pencil is Arlecchino's weapon.

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Meyer Amschel Rothschild's banquet table. Precious objects from the museum's collections with drawn and crafted additions.

The Frankfurt Historical Museum celebrated the present in 1978.

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Revitalized Baroque flowerbed, 1980.

“Je suis venu au monde très jeune dans un temps très vieux.” - Erik Satie

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Sandro Botticelli, “Adoration of the Magi,” 1476.

The sensual power of ancient mythology triumphs over the Christian message in the cardinal's garden!?

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Jean-Antoine Watteau, “Embarkation for Cythera,” 1717-18.

AUGUST 16, 1661 - the discovery of the Golden Age, 2024. Venus, Apollo, and Hercules seduced humans for millennia into wresting gardens from nature. At the magnificent opening ceremony in Vaux-le-Vicomte, Louis XIV recognizes the garden as a medium for representing absolute power - Versailles is born! For 190 years, rulers throughout Europe celebrated the Golden Age in ultimate works of garden art. Traces remain in Chantilly, Herrenhausen, Chatsworth, Schönbrunn, Stowe... 

MAY 1851 - Queen Victoria opens the first World's Fair in London's Hyde Park in the gigantic Crystal Palace. This marks the end of the Golden Age of garden art. Powerful ideas are now represented in iron, concrete, plastic, and electricity. Venus appears in photography and film. Apollo leads to the moon and stars. Hercules cements bunkers and bridges.

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The Dadaists, 1921. Paul Chadourne, Tristan Tzara, Philippe Soupault, Serge Charchoune, Man Ray, Paul Éluard, Jacques Rigaut, Mick Soupault, Georges Ribemont-Dessaignes.

Opening ceremony for the exhibition “Europe '79 - Art of the 80s,” Stuttgart, 1979. Design by Mario Terzic. 50 international galleries provide an outlook on the coming decade. 500 participants. Diverging interests prevent the group photo planned by the organizer.

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Vienna Concert Hall, Great Hall. Photo: Georg Riha.

Symbols of French culture float above the dance floor.

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Vienna, Aristides de Souza Mendes Promenade, 2014.

Landscape design as a remedy for cities.

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“Terza Natura,” the new “Victoria Square,” 2015.

“Terza Natura”
- Wilderness: Contextualize monuments to the great conquerors of the wilderness!
- Agriculture: Create botanical gardens of food plants on the roadways!
Garden art: Restore the parks along the Ringstrasse!

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The tour group on the stage of the Teatro Olimpico, Vicenza, 1982.

An invitation to the exhibition “Past - Present - Future” leads to a postcard hunt at important locations in Europe. Artists and photographers lead a tour group of wooden figures.

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André Breton, “Poème - objet,” 1935

Meeting in front of the Dehillerin kitchenware store. "Take the cardboard frame and the sheet of stickers from your toolbox—you will find titles of surrealist images and blank labels for your own poetic creations. Take a look at the displays at Dehillerin – a surrealist paradise! Write a title on your frame and stick it to the display window in front of the subject you have found. In this way, we will create an exhibition for each other..."

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The travelers in their costumes.

Bus trip September 10 to 19, 1984. Karlsruhe - Mont Ventoux - Nice - Turin - Milan - Sabbioneta - Rome - Pienza - Karlsruhe. Thirty-seven people form a mobile sculpture - in search of lost culture. “... the travelers follow my direction. They are characters for each other and explorers for themselves. They are not acting, but living reality...”

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Alexander Stiegeler as a paprika dispenser.

Breakfast in the garden. The travelers camp on canvases with traces of Manet and Matisse. Music: Christiane Hossfeld, flute and rushing water.

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Arenbergpark combat tower, architect Friedrich Tamms, 1942-44.

From the program for Friday: We meet at the bunker wall: "Transfer the name of an actual theater of war into the distinctive font of the Nazi years, Tannenberg, with felt-tip pen on a sheet of gray tissue paper. Stick it to the concrete of the bunker and give the powerful reminder of the ruins a disturbing present."

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View from the tower of the cathedral onto the city hall construction site.

To mark the opening of the new town hall, virtuoso urban compositions by great architects are on public display.

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Seminar with Peter Kubelka, “The Edible Metaphor.”

Students in the graphic design class begin to explore garden art.

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Seminar with Lucius Burckhardt “The Science of Walking,” landscape theory watercolor “The Invention of Landscape.”

In 2000, the landscape design class is created.

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Ramp for wheelbarrows over the stairs to the orangery terrace.

The only garden for art students in Austria. Gardening as a metaphor for comprehensive artistic activity beyond product thinking.

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Exhibition and book presentation in the greenhouse: Tim Richardson, “Avantgardeners,” Thames & Hudson, London, 2008.

13 years of collaboration - Botanical Garden of the University of Vienna and Landscape Design Class. Students acquire gardening skills and build objects.

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Study trip to England, 1996. Stowe Gardens, break at the “Temple of Ancient Virtue.”

University of Applied Arts Vienna. Curriculum for the landscape design class.

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Members of the master class for graphic design (and landscape art) 1999/2000.

A fan of four historic gardens. Students lead the group across today's historical-bureaucratic boundaries: the promenade begins with a view from the dome of the Salesian Church and ends with a picnic in the Schwarzenberg Garden.

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Jean Tinguely, tractor “Klamauk” – sounds, smoke, stench, fireworks... ,1979.

Investigation of the language of this 18th-century garden (160 ha) – space, architecture, sculpture, plants, animals, water – confronted with images of 20th-century art using a custom park guide.

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Franz-Xaver Ölzant, “Basilica”, Waidhofen a.d. Thaya, 1993-1995

University of Applied Arts Vienna, Landscape Design Class, Workshop Waldviertel, Lower Austria, 2005

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Walter Pichler, “Radio Vest,” 1968

Equipment for visiting a “historic” garden.

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Giorgione, “Resting Venus", 1510

After years of practical gardening and projects for “historic” gardens, we developed our strategy for clarifying the current problems of open space.

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ANDRÉ LE NÔTRE, Master Class for Graphic Arts (and Landscape Art), University of Applied Arts Vienna, 1998, Rector Rudolf Burger. ISBN 3-85211-069-6

“Legend is not one of many forms, but the only form in which we can think, imagine, and relive history.” – Egon Friedell

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Lancia “Delta integrale” on the road in the spirit of garden art.

Listed 19th-century English park and traces of a large Baroque complex in agricultural fields. The passion of rally driver and landowner Ernst Harrach becomes the basis for the renewed garden legend. A stage for automobiles with a specific relationship to the ground and landscape is created: rally, Gran Turismo, 4WD.

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Jardins du Château de Chantilly.

Movement in the landscape. Invitation to timeless gliding on the Grand Canal.

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David Hockney: "A Lawn Being Sprinkled", 1967

Project: Biography of Lancelot “Capability” Brown.
Art star David Hockney conveys an idea of the significance of the almost forgotten grand master of 18th-century garden art.

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Cycling stadium/station on the Drau Cycle Path.

Preliminary study for the artistic and horticultural design of the Rosental in Carinthia.

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One of numerous unfinished buildings on the island.

Ruins with trellises for a grape variety that made Zakynthos famous - currants.

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E30 motorway Berlin–Amsterdam.

Visitors were offered “Bilsom” ear protection to view the garden. It blocked out both traffic noise and the sounds of Arcadia – the song of the nightingale, Pan's flute, sheep bells...

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Relaxation in the garden: resting and listening to the leaves in the treetops.

Design for the use of the Gesmolder Garden after the construction of the E30 motorway.

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Peace signs at the zone border 1945–1955, Enns Bridge

Commission from the Austrian National Tourist Office. Salzburg– Vienna motorway. Road of the 20th century.

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Nestroy's heart, wax model, medical-historic museum Josephinum, Vienna.

Monument to a linguistic artist. During the red phase of the traffic light, pedestrians read continuous quotes from Johann Nestroy.

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Wayside shrine on the new “Denkerweg” (Thinker's Path) in memory of a conversation in 1964, led by Atti Auer. Ernst Bloch: “I still consider Marxism to be the only correct basis for my political stance.” Arthur Koestler: “Especially after the ‘Great Terror,’ you must have realized that the Soviet form of Marxism had turned into a totalitarian tyranny...”

“Art can cultivate the land!” Tyrolean Alpine Valley, tourism industry, 70th anniversary of the European Forum Alpbach.

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Factory tour with video presentation Concrete / Art. Peter Eisenman, Memorial to the Murdered Jews of Europe, Berlin, 2005, and views across the DeCONOx garden into the Kremstal valley in Upper Austria.

How to present the cement plant and its environmental policies to the public. Horticultural depiction of the performance of the DeCONOx process for flue gas cleaning.

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Theme: Time represented horticulturally: Sundial and flower clock following Carl von Linné. Each hour is indicated by the blossoming of a plant species. 5 o'clock Iceland poppy, 6 o'clock red pippau, 7 o'clock St. John's wort, etc. Rasumofsky Garden 1998, Tilo Amhof, supervised by Karl Födermayr.

From the project “Jardin de Prométhée”.
Theme: Time in the landscape as an experience for endurance fans.

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The “Cargo Lifter Rain” is on its way over the ice channel.

In the summer months, “Fontana di Zeppelin” demonstrates the synthesis of the various green spaces into a single magnificent garden.

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Zaha Hadid: MAXXI / Museo Nazionale delle Arti del XXI. Secolo, Rome.

A huge construction site waits for architecture to serve as a shell for objects and actions beyond the current art market. Billboards refer to producers of sensually experienceable complexity.

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Topiary.

Study on the development of the “Semmering Railway World Heritage Site,” built in 1848-1854 by Carl Ritter von Ghega. After decades of neglect, viaducts, architecture, and tunnel portals are sinking into the forest. Monument protection alone cannot preserve the “legibility” of this magnificent structure. Artistic landscape conservation is necessary.

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Planned event at the “Zentrum Station Semmering”: Duisburg Nord Landscape Park, analysis and workshop with Prof. Tilman Latz.

Contribution to the “Vision 2029” competition in 2012, organized by the Austrian National Committee of the International Council on Industrial Heritage and the Südbahnmuseum Mürzzuschlag, Styria.

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Pierre-Auguste Renoir, "La Yole", 1875

In the 1980s, Lucius Burckhardt and his wife Annemarie developed the science of walking/promenadology.

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Stephan Eberharter, born 1969, ski world champion and Olympic champion. Alberto Giacometti, 1901-1966, sculptor.

Video stations along the descent of the ski race track in the summer months. Each station confronts the hiker with existential statements by an artist and an athlete.

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Project sketch for the terrace area. Retaining wall cladding: ceramic tiles with reliefs of cocoa beans.

Pleasure garden for the Zotter chocolate factory.

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Oskar Kokoschka, "Linz Landscape", 1955

Is Linz beautiful? No! Not when measured against the standards of Salzburg or Florence. But Linz is remarkablе when it integrates its industrial landscape with gardening: gardens as the guiding principle for the Lustenau district.

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Günther Domenig, Innovation and Business Center Völkermarkt, 1993-1995

Styrian cultural project on the occasion of the planned World Exhibition Vienna-Budapest 1995. Long-term concept for a social sculpture. Styrian architects, together with invited international guests, are constructing their respective work and living spaces for five years (and possibly beyond).

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From Humphry Repton's “Red Book”: Kenwood, 1793, watercolor without overlay.

Interpretation of Osterley Park “The Grand View” on the 250th birthday of Humphry Repton.

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Osterley Park, Middlesex, London, 2001

Concept for the horticultural development of the entire green space.

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Laurel Grove with the dynamic monument to Valeri Borsov

City parks are not just a field of citizen-oriented open space policy. Depictions of the winners of the 1972 Olympic Games invite visitors to reflect on the relationship between sport and nature.

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Obelisk & exhibition pavilions on the pier.

“The English landscape style is arguably the only truly contribution of the English in the history of Art.” - John Sales

The first Formula 1 Grand Prix took place in May 1950 at Silverstone. To this day, the track is one of the fastest and most challenging race tracks in the world.

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Henri Racine de Montville, Désert de Retz, artificial ruin, 1781

Elefsis, "European Capital of Culture 2023". From a letter to Elefsis Port Authority CEO, Carolampos Gargaretas: "... Your wrecks are real assets! Don't put them away! Let us develop a unique, beautiful 'landscape of ruins/wrecks'..." 

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The ‘Grand Degré’ by Daniel Gittard and André le Nôtre opens up the view of the Grand Parterre of Chantilly.

For decades, the large parterre lacked the elevated view, the Baroque vision of the garden. The castle was destroyed during the war. In 2001, the horticultural question arose: how to regain the elevated view? The Trinidad working group offered an answer: Aerostats.

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Catalogue of the exhibition ‘Landscape Free Solo’, 2020

View of the exhibition at the village green in Loretto with sketches of enticing new projects.

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Exit from federal highway B9 towards Petronell.

About 2000 years ago, Carnuntum was the capital of the Roman province of Upper Pannonia – approx. 10 km² / 50,000 inhabitants.
1996 Opening of the Carnuntum Archaeological Park.
2008 Competition for the general plan.

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Wooden figures on the ascent show historical jumping styles: ‘Flying Mander’ (allusion to the famous Black Mander statues in the Innsbruck Court Church).

The wooden path to the ski jump presents a view over the whole of Innsbruck and the Nordkette mountain range.

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View of the park with sand piles and the Schreber Villa, owner Karlheinz Essl's retreat and private reception room.

Place to relax after visiting the museum, sheltered from view and noise.

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Joseph Beuys, "Action 7000 Oaks", Documenta 7, 1982

Vienna's smallest vineyard inspires a project to unseal the large paved square over the way.

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Water shortage in the Prater, 2024

Raising the groundwater level on Prater Island: The quality of life for the whole of Vienna will depend on protecting animal rights and respecting their habitats. 

How absurd is the excitement about pandas in the Schönbrunn zoo – the freshly laid eggs of the jay on the "dam mound" are more important!

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Fritz Wotruba: plaster model of the church on the Georgenberg, 1967

Alternative to the unnecessary lift system beside the church, preventing the surrounding area from being overgrown by bushes and trees. 

‘Georgenpark’ received the full approval of the church's architect, Fritz G. Mayr.

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Apple trellis.

Apple = knowledge, temptation, sensual seduction, sin = theatre. 120 ancient apple varieties from the monarchy / Ringstrasse era. The apple plantation becomes a reminder of car culture.

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View of the Skywa-Primavesi villa.

Expanding the garden space by new plantings: hornbeam hedges inside the garden and tree plantings in the public space (Gloriettegasse). 

Vegetating the wall to the neighbouring garden (wild vine) and integrating its old trees.

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Message of a helicopter pilot to the Graz Airport tower: ‘What does the B mean on the grounds of a nursery near Wies, 46°43' N, 15°16' E?’

Signal colour YELLOW: Plantation of dyer's chamomile for bees.

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Bath, urban expansion, 18th century. Architects: John Wood Sr. and John Wood Jr.

Creating a new district for 25,000 inhabitants on the site of the abandoned airfield (240 hectares). The ruderal vegetation on the runways and taxiways (not to be demolished!) forms the core of the future garden city. Important social, cultural, and economic facilities will be part of the garden city.

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The world-famous luffing cranes support the garden construction. Access only for certified crane operators!

Recommendations to the city administration of Gdansk after a tour of the shipyard, led by officials:
Do not build on the site! Green open space is a great democratic luxury. See: Hyde Park, London, or Prater, Vienna.
No Solidarność museum. A museum is an outdated, expensive machine. 
Demonstrate solidarity with the present! Show: Amnesty International, Médecins sans frontières, Caritas, etc.
The old factory buildings should become winter gardens for citizens.
Living on the water – launch an architectural competition.

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Otto Neurath, ‘Vienna Method’ of pictorial statistics, 1929

Proposal to contextualise the scandalised Lueger monument by renaming the square.

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Maria Theresia Barracks in the 13th district of Vienna.

Repurposing the barracks as a starting point for presenting Austrian history in Schönbrunn.

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"Rolling Table", project for vineyards around Langenlois, 2006

Vineyard in the city/walking trails / uplifting views / contemplative rest.

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First Vienna Mountain Spring Water Pipeline, Mödling Aqueduct, 1873

Highlighting the preciousness of Vienna's water in a central location near the town hall.

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On the Inn, view from the market square to the west.

Christoph Walder's critical video ‘What Fish Want’ ends after 59 minutes.

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Tyrolean wood carving, models of a fish species that has survived in the Inn to this day.

A footbridge in the centre of Innsbruck remains as a permanent reminder, and wooden fish models make the lost biodiversity visible.

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